I’ve spent much of the winter break typing up students’ papers for my dissertation research. The task was descriptive writing — first describing the student’s house, apartment, homestay, or dorm room, and then (after the intervention) writing a featured home article about a house for sale as if for a local newspaper. I know I shouldn’t be surprised, but I was still struck by the number of students who tried to shoe-horn one or both tasks into a pseudo five-paragraph essay, and this despite the fact that neither prompt mentions essays or even paragraphs! In fact, the featured house article is taught as a genre with a regular structure that has little to do the so-called English theme. Some of the results are awkwardly amusing: Everyone has a house, even animals. I’m going to describe my house. Or: this house has two floors. First of all, the first floor. You can imagine the rest.
For anyone still harboring a sentimental attachment to the “ahrehtorical” (to quote Christine Ortmeier-Hooper) and ageneric (as I keep misquoting Christine Ortmeier-Hooper!) teaching of a universal form of bland, banal writing, here are some recent articles fighting the good fight for teacher genre-aware, context-specific writing skills:
Plus a few of my previous thoughts on the subject:
Update: Well, this is getting interesting. Over on the TESOL blog, Rob Sheppard has written a spirited defense of the 5-paragraph essay in which he usefully critiques Brian Sztabnik’s rather over-enthusiastic piece. But we couldn’t let that stand, so Luciana de Oliveira and I have written a rebuttal, “Why We Still Won’t Teach the Five-Paragraph Essay.” Let the games commence!
To mark the publication of Inside Writing, a series of genre-based writing textbooks from Oxford University Press, I’m writing a series of blog posts about my understanding of genre-based writing pedagogy. Today’s post is inspired by a conversation I had in the faculty lounge yesterday. A colleague told me he was interested in breaking away from (your friend and mine) the five-paragraph essay, but he wasn’t sure where to start. After the break, I’ll tell you …
Continue reading “Starting out with genre-based writing instruction”
My short essay/conference review From Generic Writing to Writing Genres has been published in TESOL’s Second Language Writing Interest Section Newsletter (October 2013). In it, I argue (again!) in favor of a genre-based writing pedagogy as an antidote to the five-paragraph essay. I also summarize my 2012 and 2013 conference blitz, and you can find all the PPTs and handouts here: CCCC 2012, TESOL 2012, Genre 2012, SSLW 2012, EATAW 2013, and TESOL 2013.
Talking about the five-paragraph essay (as I so often seem to be), there was a great article in Slate recently denouncing the (five-paragraph) essay component of the SAT (one of the standardized tests taken by American high-school students as part of their university application). The title says it all: “We are teaching high school students to write terribly.” The article quotes Professor Anne Ruggles-Gere of the University of Michigan writing center:
“For those trained in the five-paragraph, non-fact-based writing style that is rewarded on the SAT, shifting gears can be extremely challenging. “The SAT does [students] no favors,” Gere says, “because it gives them a diminished view of what writing is by treating it as something that can be done once, quickly, and that it doesn’t require any basis in fact.”
As Professor Gere says elsewhere in the article, the result is that college writing teachers like me have to un-teach what students have “learned” about writing — and it’s not just American students. International students trained to pass the TOEFL (Test of English as a Foreign Language) or other English language proficiency tests also arrive with what Linda Flower has called a “limited literacy.”
Lest you think we exaggerate, here is a horrifyingly amusing blog post by Jed Applerouth, a teacher and doctoral student who takes the SAT regularly to help him tutor high school students to ace/beat the test. Since SAT essay raters are explicitly trained to ignore the veracity of the writing, here’s how to get a top score:
I stuck John Fitzgerald Kennedy in a Saxon war council during the middle ages, grappling with whether to invade the neighboring kingdom of Lilliput. Barrack Husein Obama shared a Basque prison cell with Winston Churchill, and the two inmates plotted to overthrow General Franco. Cincinnati’s own, Martin Luther King Jr. sought out a political apprenticeship with his mentor, Abraham James Lincoln, famed Ontario prosecutor.
Finally, an example of writing with absolutely no communicative value whatsoever. The SAT essay as anti-genre?!
(Hat tip to my Facebook friends and friends-of-friends for these links.)
I spoke today at Penn-TESOL-East’s fall conference on the beautiful campus of Penn State-Abington. My presentation was titled “Discovering Writing with the Teaching-Learning Cycle” and it followed on from my earlier campaigns “beyond the five-paragraph essay.”
>> Here are my materials: PowerPoint slides and handout
I was running against the clock, so I wasn’t able to do justice to this powerful technique for teaching writing. Continue reading “The Teaching-Learning Cycle”
Yesterday, I was excited to receive my copies of the new TESOL publication, Effective Second Language Writing (in the Classroom Practices series), which opens with my chapter: “Beyond the Five-Paragraph Essay: A Content-First Approach.”
In my essay — which is far longer than five paragraphs! — I set out the arguments against teaching (only) the five-paragraph essay/theme form, which I have been making for several years along with my former colleagues Andy McCullough and Ruelaine Stokes at Michigan State’s English Language Center. I then describe the sustained content-based writing course Andy and I developed at MSU for the advanced level of the IEP. (Another article we all wrote together appears in this month’s Second Language Writing Interest Section newsletter.)
The volume was edited with remarkable thoroughness and patience by Susan Kasten, and includes a total of 18 chapters on different aspects of second-language writing from around the world. I’m looking forward to reading the rest of it. Come to think of it, it’s so long since I wrote my chapter, I should probably re-read that, too, and see what I said. (This project was launched at TESOL 3 years ago!)