I’ve unexpectedly spent a good chunk of my sabbatical semester thinking about heteroglossia. This might sound as if I’ve had just too much time on my hands, but I’ve become convinced that it’s one of the key concerns in academic writing. (Tl;dr version: skip to the bottom for the teaching implications!) Continue reading “Hearing voices in the Barr report”
So, I sat down at my computer just now and thought to myself, “I really should write an essay comparing me and my brother” … no, wait, “comparing watching a DVD with going to the movies”, … or, even better, “comparing large cars to small cars” … said no-one, ever.
Throughout this genre makeover series, I’ve attempted to show how boring and meaningless writing assignments become when rhetorical modes are confused for genres. One way to understand a mode is as a pattern of development. For example, there are writing tasks that call for you to compare stuff, but you rarely do it just for the sake of the comparison: there has to be a purpose to the comparison. That’s where genre comes in. Continue reading “Genre Makeover: The Compare/Contrast Essay”
For some reason, in the usual litany of rhetorical modes that are mistaken for genres in writing textbooks, problem/solution is often omitted, which is unfortunate because this one is actually useful. But before you rush to class and assign a “problem/solution essay,” let’s give it the genre makeover treatment and consider why anyone might write about problems and their solutions. Continue reading “Genre Makeover: Problems and Solutions”
One of the strongest arguments against the five-paragraph essay is that the 5PE approach to writing (textbooks) tends to confuse mode with genre. Briefly, rhetorical modes are patterns of development, such as description, comparison, causation, or — the focus of this post — process. Genres are the ways we get things done with language in social contexts. Genres might include pedagogical genres (describing an economic principle on a test; writing a lab report), professional genres (user manuals; methodology sections), or home genres (recipes, Facebook rants). We know we use genres, but for some reason we don’t always teach them. Continue reading “Genre Makeover: The Process Essay”
I’m making some detours off my usual routes this spring, and I’m excited to be speaking at… Continue reading “Conference circuit 2019”
One of the staples of ESL textbooks and writing courses is the descriptive essay. I’m not honestly sure what one of this is: description is definitely an important mode of writing, but when would we describe anything in the form of an essay? Even worse, this assignment is often used as an excuse to drill features that are inappropriate for this type of writing (a description can’t have a thesis because it’s not making an argument!). Continue reading “Genre Makeover: The Descriptive “Essay””
The second edition of Grammar Choices has been published by the University of Michigan Press (available only directly from the press right now, and soon from Amazon). This is an exciting moment because it means enough people bought and liked the first edition to warrant a new one!
Why did we produce a second edition? The first edition of Grammar Choices was published in 2012, so it’s had a healthy life-span of 6 years, but of course academic English hasn’t changed much in that time! With any second edition, you have to strike a balance between adding and changing enough to justify a new edition, while not alienating users who liked the first edition. There’s always going to be a reading, exercise, or example that you’re angry at me for dropping (sorry).
My philosophy with this revision was to: Continue reading “Grammar Choices: What’s new in the second edition?”
Greetings, genre warriors! Welcome to an occasional series in which I’ll makeover a boring old five-paragraph essay into a genre-based writing assignment. No, you don’t win a house or a new wardrobe, but you might not fall asleep during your next grading session. Deal? Continue reading “Genre Makeover: An argument essay”
I knew I shouldn’t do it, but I fell for Inside Higher Ed’s clickbait and read an article headed “Professor with no formal training shares some effective tools for others who must teach writing classes” on Twitter and titled “An Ode to Teacherless Writing Classrooms” on the site. I have thoughts. Continue reading “An ode to the teacher-led writing classroom”
I think teaching word parts (roots, suffixes, and prefixes) is overrated.
Yeah, I said it. Continue reading “Affixing the tail on the donkey”